The series certainly has had its fair share of controversies, such as practically glorifying violence and having our main character, the Doom Slayer (aka Doomguy), using a vast of array of weaponry to brutally take out his enemies. His successes would continue with providing additional music for 2014’s Wolfenstein: The New Order, along with its prequel, Wolfenstein: The Old Blood, the following year.įor many of us, though, it’s safer to say our first encounter with Gordon’s talents was with 2016’s DOOM, which was a reboot of the classic first-person shooter series that has been nothing short of an enormous success since its inception way back in 1993. His award-winning music for 2013’s Killer Instinct was one of his first big breaks that helped put him on people’s radars and is without a doubt a phenomenal soundtrack putting on display a level of skill that only masters of their craft can adequately display. Gordon has had quite an illustrious career in the video game music industry thus far, and rightfully so, considering he’s shown himself to be a capable musician who is up to any challenge. Not to mention he’s also equipped with a very big fucking gun.
The only thing that would be standing in his way is the other guy’s wits and bad attitude.
His immediate primal instinct simply was to find and kill the Doom Slayer using whatever means necessary, perhaps by way of aggressively pummeling him into a pool of lava and tearing his limbs off one-by-one. Mick Gordon just might be a vicious Baron of Hell, a beast cleverly disguised inside a human body who ripped and tore his way into this world with blood-red skin and huge horns, all the while strumming a ridiculously-awesome nine-string guitar.
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